Clerestory Notes

Commentary -
The text of this ancient hymn, written in the late fourth century by Ambrose, the Bishop of Milan and mentor to Augustine, makes Savior of the Nations, Come one of the oldest songs of Advent in Christian hymnody. Its tune also has ancient roots: Based on a plainsong melody much loved by the German Reformers, it is generally thought to date back to the twelfth century. (The Canticle of Mary is, of course, the earliest Advent hymn, and the earlier fourth-century Phos Hilaron is sometimes used during Advent. Of the familiar Advent hymns, only Of the Father’s Love Begotten comes from a similar date.)

Ambrose’s poetic text is filled with biblical references – most obvious among them are John 1, Luke 1 and 2, Matthew 1 and 2, Isaiah 2, Micah 4, and 1 Corinthians 15 – and is a powerful expression of our Advent watching, longing, and expectant hope. Savior of the nations, Word of God made flesh, “Come!” We long for Your kingdom; “when shall we its glories see?” But it is also an expression of the deep cry of our individual hearts: “Virgin’s Son, here make Thy home!” Here, in my heart and in my life, make Your home, O Coming One.

Savior of the Nations, Come sets three of the hymn’s seven stanzas. The harmonic structure of each verse is different, reflecting the sentiment and focus of the text. The first verse begins quietly, pensively, and grows in intensity through the third verse – until the return to quiet contemplation of the final line. The hymn is a wonderful part of a Lessons and Carols service, and is particularly appropriate for the first Sunday of Advent.

Liturgical Season: Advent

Liturgical Uses:
Invocation: Profession of Faith

Key: Em

Savior of the Nations, Come is available as a lead sheet, and scored for piano and voice (on request).