Clerestory Notes

Commentary -

All Hail the Power of Jesus’ Name is one of the most familiar and beloved hymns of the Church, and with good reason. This hymn tune, Coronation, was composed for Edward Perronet’s poem, and is thought to be the earliest American hymn tune still in continuous use since its publication in 1793. Of the original eight verses plus the final one written later by John Rippon, the four included here are those most commonly contained in hymnals.  Its theme is one of joyful and confident praise of the saving power and majesty of the sovereign Creator of all things. As a Gathering hymn, it is an exultant statement of God’s power and greatness. As a response to prayers of invocation, it can be sung with a more contemplative tone. We sometimes sing the last verse at the end of the service, sending us out with joyful hope into the world to love and serve the Lord.

The text is a wonderful companion and sung response to lections that exalt the Lord’s glory and creative power (such as Psalm 148) that enjoin all the peoples to praise Him (Psalm 67), or that foretell the ultimate and eternal worship of His majesty (Philippians 2:9-11, Revelation 4 and 5).

Key: D, with modulations to E and F

Season: throughout the church year, but especially on Christ the King Sunday (the last Sunday of the liturgical year); Pentecost Sunday; and the Sundays during the Easter season.

All Hail the Power of Jesus’ Name is available as a lead sheet and scored for three-part vocals.